Week 6 has arrived and thus a new reading is to be read and new topic to be talked about. This week's reading covers the idea of social life, life as a game or drama as described by Goffman using his dramaturlogical metaphor. In 285 words (probably a disarray of 1000), I will endeavor to elaborate.
Goffman, a symbolic interactionist, decided to represent his understanding of social life using the dramaturlogical metaphor. Now, Dramaturgy as a theory is simply the idea that all the world's a stage and all the men and women merely actors. Person's act to convince others of a certain concept of self and in doing that they must perform and we learn how to play our assigned roles from others. Thus it can be said that the self isn't so much a stable, coherent entity as it is something that is defined and redefined by interactions with others.
Front Stage: what the 'audience' sees, so, how you present yourself either intentionally or unintentionally, ie: body language, appearance* and manner**.
Back Stage: what the audience doesn't see, where the performer can be out of character without affecting the performance.
*Appearance: refers to stimuli that works at a superficial
level (and where first impressions start and end, as it's said it takes 30
seconds to figure someone out and that is rarely overridden in the minds of
others), what is immediately observed about a person, telling one of
their status and/or state.
**Manner: refers to stimuli that indicates what role the 'performer' will
take in an oncoming social situation, how one carries themselves, primarily
nonverbal cues (expressions, gestures, body language). ie: Aggression
will signal to others to expect the social situation be directed by the
aggressor, just as a meek 'performer' would signal to others that s/he is able
to be lead.
At the end of the day, you'll find that most performances will incorporate the values of the society that they are in, which is why you might choose to hide certain aspects of yourself that will taint your performance as a functioning entity in society.
It also becomes difficult to define where the backstage and front stage actually is. Think of work, you would imagine that front stage is the shop front (see, even front is part of the title) and that back stage would be out back somewhere with your colleagues, but is that really back stage? You might have to put on a certain performance with your colleagues that you normally wouldn't (ie: you hate swearing, but you work with a bunch of truckies and they'll think you're a sissy if you don't cuss). So where is the back stage, then? I argue that it's when you're on your on, I argue still that back stage might be when you click 'anonymous' and write what you actually think on the internet. So, when you think about it, our back stage self must be kind of a prat.
References:
Goffman, Erving. 1971. "Performances." Pp. 28-82 in The Presentation of Self in Everyday Life. Harmondsworth: Penguin.
I am a student enrolled in SOC250, this is what they make us do. In short, this will be a blog wherein Lauren will attempt to do Sociology, with hilarious results. Those faint of heart should turn away now.
Tuesday, 28 August 2012
Tuesday, 21 August 2012
Weekly Research, Me, Myself and I-really-don't-want-to-do-this
As you're all probably aware, this week's reading is "The Nature of Deference and Demeanor" by Goffman. This week, in 285 words exactly, I will be telling you about the reading and what I've learned thus far. I would draw on the lecture material, but the lecture hasn't happened yet and I don't have a time machine (much to my eternal shame). These will happen once a week, ending on October 18th and making up 2000 words over 7 weeks.
References (because this is a public blog and lots of people have access to this, apparently):
Goffman, Erving. 1967. “The Nature of Deference and Demeanor.” Pp. 47-96 in Interaction Ritual: Essays on Face-to-Face Behaviour. New York: Pantheon Books.
References (because this is a public blog and lots of people have access to this, apparently):
Goffman, Erving. 1967. “The Nature of Deference and Demeanor.” Pp. 47-96 in Interaction Ritual: Essays on Face-to-Face Behaviour. New York: Pantheon Books.
Thursday, 16 August 2012
Presentation
It's late. I hate you all. I can't get this to work. I'm waiting for it to upload, let's see what it does.
Symbolic Interactionism Definitely Finished (without video)
Symbolic Interactionism Definitely Finished (without video)
Monday, 13 August 2012
Week 4 Presentation (Spoilers!)
In the infamous words of River Song, and though it pains me to make reference to her existence (because I am not a fan), spoilers!
Saturday, 11 August 2012
Weekly Research (3): Symbolic Interactionism
Summary:
In essence, the theory suggests that the world is socially
constructed and that each individual manages and perceives the world
differently based on the meaning they have imposed/ascribed to certain events,
objects and behaviours. As such the way that people react to these things are
not the things themselves but to the meanings that they have been ascribed.
The core themes of Symbolic Interactionism are:
"Symbolic
interactionism presents a commonsensical approach to analyzing how
two parties interpret each other’s actions.” (Baghdadi, L. 2009)- Humans act toward things based on internalised meanings
- These meanings eventuate from socialisation
- These meanings are handled, modified and interpreted
Some criticisms:
- The theory has been criticised for neglecting the macro level interpretation, or the ‘bigger picture’, with too much emphasis put on micro interactions and its importance.
- Gives too much credence to higher institutions and their influence on the human psyche and thus interactions between them.
Saturday, 4 August 2012
An Introduction
Alright, I've never used this before, so let's see what this does. It has a HTML option, that's helpful I suppose, and it saves drafts sporadically, so again, helpful.
Let's see what a new paragraph looks like, bold, italic, underline, cross-through, highlight, link. I can also insert an image, a video, and a
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